Special Issue of Social Semiotics
The Languages of Performing Arts: Semiosis, Communication, Meaning-Making.
Volume 26, 4.
Published in September 2016.
Table of Contents
1 The expanding galaxy of performing arts: Extending theories and questioning practices
Maria Grazia Sindoni, Janina Wildfeuer, Kay L. O’Halloran
2 Semiotics of performing arts: Contemporary issues
3 From page to virtual stage: A socio-semiotic reading of stage directions
4 When cinema borrows from stage: Theatrical artifice through indexial explicitness in The Cook, the Thief, His Wife and Her Lover and Dogville
5 “Un nodo avviluppato”: Rossini’s La Cenerentola as a prototype of multimodal resemiotisation
Maria Grazia Sindoni and Fabio Rossi
6 From book to stage to screen: semiotic transformations of Gothic horror genre conventions
Sabine Tan, Peter Wignell, Kay L. O’Halloran
7 Reading aloud as performance and its representation on television programmes for children
Kunkun Zhang, Emilia Djonov, Jane Torr
8 Penetrating spaces: a social semiotic, multimodal analysis of performance as rape prevention Robert McMurtrie and Aurora Murphy
The special issue somewhere else:
Introduction to the Special Issue on Publisher's Website